So, for these practice prints, I’ve been using both sides of the paper. This print was on the back of yesterday’s sliver seahorses. Things went sideways when a pocket of air formed under the paper.
See, after adding all the image paint layers (and letting them dry), a last layer of white is added. (It could be any color but I like white as my last layer.)
The paper is put on while the white is still wet. The image pulls best the longer the paper is down. I usually watch it closely but I wandered off and you know the rest of the story. 90 more attempts to go.